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Sculpture --- sculpture [visual works] --- art history

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Sculpture --- History --- sculpting --- philosophy of art --- kunstfilosofie --- beeldhouwkunst --- Netherlands

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Book conservation --- Conservation. Restoration --- Art --- preserving --- Book history --- conservatie --- boeken

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Connu pour sa réalisation du campus universitaire du Sart-Tilman de l'Université de Liège, C. Vandenhove a démontré la coexistence possible entre les idées fonctionnalistes modernes et le tissu historique des villes anciennes. Avec vingt projets de l'architecte, réalisés ou non, pour mieux cerner sa vision novatrice.

sculpting --- commissions [orders for works] --- Architecture --- architecture [discipline] --- Art --- Vandenhove, Charles --- History --- Histoire --- Vandenhove, Charles, --- 72.07 --- Architectuur ; 20ste en 21ste eeuw ; Ch. Vandenhove --- Vandenhove, Charles °1927 (°Teuven, België) --- Belgische architecten --- Architecten. Stedenbouwkundigen A - Z --- Liège (Belgium) --- Buildings, structures, etc. --- Belgium --- 20th century --- 21st century --- architectuur --- Architecture - Belgium - History - 20th century - Catalogs --- Architecture - Belgium - History - 21st century - Catalogs --- Vandenhove, Charles - Catalogs --- architects --- architectuur. --- Vandenhove, Charles.

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""What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?" Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany's darkest period, Petropoulos shows how individuals variously dealt with the regime's public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gründgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions"--

National Socialism --- art [fine art] --- collaboratie (kunst) --- Art --- Hindemith, Paul --- Nolde, Emil --- Speer, Albert --- Riefenstahl, Leni --- Strauss, Richard --- Gropius, Walter --- Breker, Arno --- Benn, Gottfried --- Barlach, Ernst H. --- anno 1940-1949 --- Germany --- National socialism and art. --- Arts, German --- Artists --- Nazisme et art --- Arts allemands --- Artistes --- Social conditions --- Conditions sociales --- Allemagne --- HISTORY / Europe / Germany. --- HISTORY / Modern / 20th Century. --- HISTORY / Social History. --- BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers. --- BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians. --- Nazisme en kunst --- Propaganda --- Politiek --- National socialism and art --- Maatschappij --- Film --- Arts, German - 20th century --- Artists - Germany - Social conditions - 20th century --- Germany - Social conditions - 20th century --- Oorlog --- Oorlogspropaganda --- art [discipline]